2017      

               • Music and Sound Design, HIR, by Taylor Mac, Hallie Gordon director, Steppenwolf Theatre, Chicago

               • Sound Design, Ah Wilderness, by Eugene O'Neill, Steve Scott director, Goodman Theater, Chicago

               • Sound Design, Linda Vista, by Tracy Letts, Dexter Bullard director, Steppenwolf Theatre, Chicago

               • Music and Sound Design, The Scene, by Theresa Rebeck, Kimbery Senior director, Writers Theater, Glencoe

               • Sound Design, Uncle Vanya, by Anton Chekov, Robert Falls director, Goodman Theater, Chicago

 

2016   • Sound Design, A Christmas Carol, Henry Wishcamper director, Goodman Theater, Chicago

               • Sound Design, Blue Sky Process, by Abe Koogler, Henry Wishcamper director, Goodman Theater, Chicago

               • Sound Design, Support Group for Men, by Ellen Fairey, Kimberly Senior director, Goodman Theater, Chicago

               • Sound Design, King of Hells Palace, by Frances Ya-Chu Cowhig, Tea Alagic director, Goodman Theater, Chicago

               • Music and Sound Design, Icebergs, by Alena Smith, Randy Arney director, Geffen Playhouse, Los Angeles

               • Music and Sound Design, Soups, Stews and Casseroles, by Rebecca Gilman, Robert Falls director, Goodman Theater

               • Sound Design, Mary Page Marloweby Tracy Letts, Anna Shapiro director, Steppenwolf Theatre

               • Music and Sound Design, The Matchmaker, by Thortnon Wilder, Henry Wishcamper director, Goodman Theater, Chicago

               • Music and Sound Design, 2666, with Mikhail Fiksel, adapted and directed by R. Falls and S. Bockley, Goodman Theater, Chicago

 

 

2015    • Sound Design, The Heir Apparent, by D. Ives, John Rando director, Chicago Shakespeare Theatre

               • Sound Design, A Christmas Carol, Henry Wishcamper director, Goodman Theater, Chicago

               • Music and Sound Design, Vanya&Sonia&Masha&Spikeby C. Durang, Steve Scott director, Goodman Theater, Chicago

               • Music and Sound Design, stop.reset by Regina Taylor, Regina Taylor director, Goodman Theater, Chicago

               • Music and Sound Design, The Little Foxes by Lillian Hellman, Henry Wishcamper director, Goodman Theater, Chicago

               • Music and Sound Design, Rapture,Blister, Burn, by Gina Gionfriddo, Kimberly Senior director, Goodman Theater, Chicago

               • Music and Sound Design, The Night Alive, by Conor McPherson, Randy Arney director, Geffen Playhouse, Los Angeles

 

2014    • Music and Sound Design, Luna Gale, by Rebecca Gillman, Bob Falls director, Kirk Douglas Theatre, Los Angeles

               • Sound Design, A Christmas Carol, Henry Wishcamper director, Goodman Theater, Chicago

               • Music and Sound Design, The Night Alive, by Conor McPherson, Henry Wishcamper director, Steppenwolf Theatre, Chicago

               • Music and Sound Design, Reasons to be Pretty, by Neil Labute, Randy Arney director, Geffen Playhouse, Los Angeles

               • Music and Sound Design, Ask Aunt Susan, by Seth Bockley, Henry Wishcamper director, Goodman Theatre, Chicago

            • Music and Sound Design, Slow Girl, by Greg Pierce, Randy Arney director, Geffen Playhouse, Los Angeles

            • Music and Sound Design, Luna Gale, by Rebecca Gillman, Bob Falls director, Goodman Theatre, Chicago

 

2013       • Sound Design, A Christmas Carol, Henry Wishcamper director, Goodman Theater, Chicago

               • Music and Sound Design, The Jacksonianby Beth Henley, Robert Falls director, The New Group, New York, New York

               • Music and Sound Design, Slow Girl, by Greg Pierce, Randy Arney director, Steppenwolf Theatre, Chicago

               • Music and Sound Design, Belleville, by Amy Herzog, Anne Kauffman director, Steppenwolf Theatre, Chicago

               • Music and Sound Design, Measure for Measure, by W. Shakespeare, Bob Falls director, Goodman Theatre, Chicago

               • Music and Sound Design, Teddy Ferrara, by Chris Shinn, Evan Cabnet director, Goodman Theater, Chicago

            • Music and Sound Design, Other Desert Cities, by Jon Robin Baitz, Henry Wishcamper director, Goodman Theater, Chicago

 
 

2012       • Sound Design, A Christmas Carol, Steve Scott director, Goodman Theater, Chicago

               • Music and Sound Design, A Long Days Journey Into Night, by O'Neill, Les Waters director, Actor's Theatre, Louisville

               • Sound Design, Crowns, written and directed by Regina Taylor, Goodman Theatre, Chicago

               • Music and Sound Design, Camino Real, by Tennessee Williams, Calixto Bieito director, Goodman Theatre, Chicago

               • Music and Sound Design, The Jacksonian, by Beth Henley, Robert Falls director, Geffen Playhouse, Los Angeles

 

2011       • Music and Sound Design for the dance Stupormarket, choreographed by Carrie Hanson of The Seldoms

               • Music and Sound Design for God of Carnage, by Yasmina Reza, Rick Snyder director, Goodman Theater, Chicago       

               • Music and Sound Design for Superior Donuts, by Tracy Letts, Randall Arney director, Geffen Playhouse , Los Angeles

               • Sound Design for Arms and the Man, by G.B. Shaw, Ethan McSweeney director, Guthrie Theatre, Minneapolis

               • Sound Design Middletown, by Will Eno, Les Waters director, Steppenwolf Theatre, Chicago

               • Sound Design Candide, Mary Zimmerman director and adaptor, Huntington Theatre, Boston

               • Music and Sound Design for Red, by John Logan, Robert Falls director, Arena Stage, Washington D.C.

               • Live music performance for the dance Continuous Replay, Bill T. Jones director, Bill T Jones & Arney Zane Dance Company

               • Sound Design A Christmas Carol, Steve Scott director, Goodman Theater, Chicago

               • Sound Design for Krapp’s Last Tape, by Samuel Beckett, Jennifer Tarver director, Long Wharf Theater, New Haven

 

2010       • Music and Sound Design for Hughie, by Eugene O’Neil, Robert Falls director, Goodman Theater, Chicago

               • Sound Design for Krapp’s Last Tape, by Samuel Beckett, Jennifer Tarver director, Goodman Theatre, Chicago

               • Music & Sound Design, Female of the Species, by J. Murry-Smith, Randall Arney director, Geffen Playhouse, Los Angeles

               • Music & Sound Design, The True History of the Johnstown Flood, by R. Gilman, R. Falls director, Goodman Theatre

               • Sound Design for August: Osage County, by Tracy Letts, Anna Shapiro director, Sydney Theatre, Australia

               • Sound Design Candide, Mary Zimmerman director and adaptor, Goodman Theatre, Chicago

               • Sound Design for The Seagull, by Anton Chekhov, Robert Falls director, Goodman Theatre, Chicago

               • Sound Design, Candide, Mary Zimmerman director and adaptor, Shakespeare Theatre, Washington, D.C.

 

2009        • Sound Design Animal Crackers, by the Marx Brothers, Henry Wishcamper director, Goodman Theatre, Chicago

               • Sound Design for UP, by Bridgit Carpenter, Anna Shapiro director, Steppenwolf Theatre, Chicago

               • Sound Design for the 22 city national tour of August: Osage County, by Tracy Letts, Anna Shapiro director

               • Music and Sound Design for The Seafarer, by Conor McPherson, Randall Arney director, Geffen Playhouse, Los Angeles

               • Music and Sound Design for Desire Under The Elms, by Eugene O’Neil, Robert Falls director, St James Theater, New York

               • Music and Sound Design for Desire Under The Elms, by Eugene O’Neil, Robert Falls director, Goodman Theatre, Chicago

 

2008        • Music and Sound Design for The Seafarer, by Conor McPherson, Randall Arney director, Steppenwolf Theatre, Chicago

               • Sound Design for August: Osage County, by Tracy Letts, Anna Shapiro director, National Theatre, London, UK

               • Music and Sound Design for The Quality of Life, written and directed by Jane Anderson, A.C.T., San Francisco

               • Music and Sound Design for Hughie, by Eugene O’Neil, Robert Falls director, Long Wharf Theatre, New Haven

               • Sound Design for The Ballad of Emmett Till, by Ifa Bayeza, Oz Scott director, Goodman Theatre, Chicago

               • Music and Sound Design for Hughie, by Eugene O’Neil, Robert Falls director, Stratford Festival, Canada

               • Music and Sound Design for the dance Monument, choreographed by Carrie Hanson of The Seldoms

               • Sound Design for The Actor, by Horton Foote, Rick Snyder director, Goodman Theatre, Chicago

               • Sound Design for Blind Date, by Horton Foote, Steve Scott director, Goodman Theatre, Chicago

               • Sound Design for August: Osage County, by Tracy Letts, Anna Shapiro director, Music Box Theater Theatre, New York

                    

2007        • Sound Design for August Osage County, by Tracy Letts, Anna Shapiro director, Imperial Theater Theatre, New York

               • Sound Design for Song, choreography by Ginger Farley, Illinois Art Gallery, Chicago

               • Music and Sound Design for Sara Olds Project, Ninth Letter Project, University of Illinois

               • Sound Design for August Osage County, by Tracy Letts, Anna Shapiro director, Steppenwolf Theatre, Chicago

               • Music and Sound Design for Frank’s Home, by Richard Nelson, Robert Falls director, Manhatten Theater Club, New York

               • Sound Design for Talk Radio, by Eric Bogosian, Robert Falls director, Longacre Theater, New York

               • Music and Sound Design for Rabbit Hole, by David Lindsay-Abaire, Steve Scott director, Goodman Theatre, Chicago

               • Music for the dance Overflow, choreographed by Carrie Hanson of The Seldoms